Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:8.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Aptos",sans-serif; mso-ascii-font-family:Aptos; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Aptos; mso-hansi-theme-font:minor-latin; mso-font-kerning:1.0pt; mso-ligatures:standardcontextual; mso-fareast-language:EN-US;} Despite the difference in scale, there is a curious similarity in the appearance of the grey or black quadrangular facades of amplifiers and photographic frames.
On each of them a word appears, in silver on black, in the form of evocative brand names such as Boogie, Fender, Fidelity, Elite…
The amplifiers have a substantial texture that lends itself to moiré effects, revealing the internal speaker structures. Also worth noting is the visual role of their black grainy leather casings, which act like a frame.