{"id":16708,"date":"2020-04-07T13:59:00","date_gmt":"2020-04-07T13:59:00","guid":{"rendered":"https:\/\/www.philippegronon.com\/works\/"},"modified":"2024-07-24T15:17:08","modified_gmt":"2024-07-24T15:17:08","slug":"works","status":"publish","type":"page","link":"https:\/\/www.philippegronon.com\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"\t\t
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Since\nthe late 1980s, Philippe Gronon has been developing a body of work whose main\ninstrument is the camera. His starting point is the simplest definition of\nphotography: an image-making technique that records reality as it is. <\/span><\/p>\n\n\nThis is reflected in the following production protocol: almost all the objects he\nphotographs, or more recently digitises, are taken in frontal view, to scale 1,\nand removed from any context of space or time, so that they are presented only\nin their simplest form. From shooting to printing, the specific resources of\nfilm and digital are combined according to the desired result. Most of the\nobjects that capture his attention have a function of physical or mental\ntransition, exchange, passage or communication. The precision with which these\nobjects are photographed and then represented leads the viewer to scrutinise\nthe minutest detail and, at the same time, to reflect on the meaning of these\nobjects and what they reveal about human activity, art and thought. <\/span>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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